— Eric Funk, MT-PBS host and internationally renowned composer
Max Hatt / Edda Glass have "an incomparable spook” (Nashville Scene) and a "unique sound" (Larry Groce, NPR) that's taken them across the county from NPR Mountain Stage to NYC's Lincoln Center, DC's Kennedy Center, and the Sundance Film Festival. Praised for her "impeccable vocal command" (PopMatters) and compared to a gamut of singers from Astrud Gilberto to Billie Holliday, Glass's voice ultimately "one of a kind...you cannot confuse her with another artist" (New York Theatre Guide). Hatt's equally distinctive guitar work combines the harmonic innovations of jazz and classical with the melodic resonance of folk, creating music that's "subtly poignant, elegantly funky, and haunting without trying to be" (Nels Cline, Wilco). Together with Glass's literate lyrics, this Jazz Americana evokes the grandeur of the western landscape, telling intimate stories of little people on great plains, and leaving audiences with a feeling both light and deep.
READ FULL BIO | BRAZILIAN JAZZ PROJECT | WORKSHOPS
SHORT BIO: Max Hatt / Edda Glass have "an incomparable spook” (Nashville Scene), "a unique sound" (Larry Groce, NPR Mountain Stage), and a "voice that must be heard to be believed" (Wilco's Nels Cline). As featured by NPR Mountain Stage, Sundance Film Festival, NYC’s Lincoln Center, & Daytrotter (best of 2016).
  |  |
 
|
 
|  
|
press
“Beautiful… #chills”
— Ann Powers of NPR Music (@annkpowers on Twitter)
"This Jazz Americana duo portrays true elegance."
"Max Hatt/Edda Glass create exquisite, evocative music as they journey through the landscape of jazz and folk with Hatt's atmospheric guitar playing and the landscape of the West with Glass's literate lyrics."
— John Platt of WFUV
“…like hand-printed photographs that speak and sway, the material is hypnotic…"
— Lizz Wright
“Mesmerizing… cinematic folk-jazz”
— ASCAP’s Playback Magazine at Sundance Film Festival
“Edda Glass's voice must be heard to be believed.”
— Nels Cline (Wilco)
"Max Hatt’s tone has an incomparable spook...Edda Glass’ primal singing and skywide-on-a-stormy-night lyrics left me breathless. "
— Nicole Atkins, Nashville Scene
“I was mesmerized from the first moment I heard them. They have the ability to create a deep sonic landscape with only voice and guitar, with songs that posses a mysterious and soulful magic"
— Pat Sansone (Wilco)
Max Hatt and Edda Glass ... are constantly, bravely reinventing themselves... pioneering more deeply into original material, music that I can say without reservation will be substantive and important. [...] Many are the musicians who adhere more closely to the mainstream, aligning their original music with that which has a track record of being entertaining. Few are those who insist that original music is an art, avoid the commodity and immediate gratification that comes from creating that which has proven to be sellable. I am always inspired by visionary charismatics who possess both the courage and the perseverance to pursue their art against the odds, trusting that their labors are not in vain. Max Hatt and Edda Glass are unique voices and rare musicians.
— Eric Funk, PBS host and internationally renowned composer
“Their lyrics/ instrumentals encapsulate the confusing sentiment of feeling both lost and found, all at once…This album is for those that want to hear a song that tells them it is okay to be human, and that you are not alone in not knowing what that exactly means”
"an exemplification in the beauty of contemplation"
“Brimming with soul and steeped with lush, mellow melodies, Ocean of Birds captures a moment in time and releases it in one lovely breath. “
— That Mag
“Music that creates a sense of vastness within its quiet.”
