— Ann Powers, NPR Music
Max Hatt / Edda Glass have "an incomparable spook” (Nashville Scene) and "a unique sound" (Larry Groce, NPR), comprised of Glass's unmistakable voice and Hatt's lyrical guitar. Originally based in Montana, their award-winning Jazz Americana and wistful interpretations of Brazilian Bossa Nova have taken them all the way to New York City's Lincoln Center, DC's Kennedy Center, NPR Mountain Stage, Sundance Film Fest and Wilco's Solid Sound Festival. Praised for her "impeccable vocal command" (PopMatters) and compared to a gamut of singers from Astrud Gilberto to Billie Holliday, Glass's voice is ultimately "one of a kind...you cannot confuse her with another artist" (New York Theatre Guide). Hatt's equally distinctive guitar work combines the harmonic innovations of jazz with the melodic resonance of folk, creating music that's "subtly poignant, elegantly funky, and haunting without trying to be" (Nels Cline, Wilco). Together, Max Hatt / Edda Glass evoke a world that stretches from the beaches of Rio de Janeiro to the prairies of the American west, telling stories of little people on great plains, and leaving audiences with a feeling both light and deep.
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SHORT BIO: Max Hatt / Edda Glass's award-winning Jazz Americana and Brazilian Bossa Nova has "an incomparable spook" (Nashville Scene) and "a unique sound" (NPR). Telling stories of little people on great plains, the duo evokes a world that stretches from the beaches of Rio de Janeiro to the prairies of the American west, leaving audiences with a feeling both light and deep. As heard on NPR Mountain Stage, NYC's Lincoln Center, DC's Kennedy Center, and Wilco's Solid Sound Festival.
“Unique voices and rare musicians”
— Eric Funk, MT-PBS host and internationally renowned composer
"This Jazz Americana duo portrays true elegance."
"Max Hatt/Edda Glass create exquisite, evocative music as they journey through the landscape of jazz and folk with Hatt's atmospheric guitar playing and the landscape of the West with Glass's literate lyrics."
— John Platt of WFUV
“…like hand-printed photographs that speak and sway, the material is hypnotic…"
— Lizz Wright
“Mesmerizing… cinematic folk-jazz”
— ASCAP’s Playback Magazine at Sundance Film Festival
“Edda Glass's voice must be heard to be believed.”
— Nels Cline (Wilco)
"Max Hatt’s tone has an incomparable spook...Edda Glass’ primal singing and skywide-on-a-stormy-night lyrics left me breathless. "
— Nicole Atkins, Nashville Scene
“I was mesmerized from the first moment I heard them. They have the ability to create a deep sonic landscape with only voice and guitar, with songs that posses a mysterious and soulful magic"
— Pat Sansone (Wilco)
Max Hatt and Edda Glass ... are constantly, bravely reinventing themselves... pioneering more deeply into original material, music that I can say without reservation will be substantive and important. [...] Many are the musicians who adhere more closely to the mainstream, aligning their original music with that which has a track record of being entertaining. Few are those who insist that original music is an art, avoid the commodity and immediate gratification that comes from creating that which has proven to be sellable. I am always inspired by visionary charismatics who possess both the courage and the perseverance to pursue their art against the odds, trusting that their labors are not in vain. Max Hatt and Edda Glass are unique voices and rare musicians.
— Eric Funk, PBS host and internationally renowned composer
“Their lyrics/ instrumentals encapsulate the confusing sentiment of feeling both lost and found, all at once…This album is for those that want to hear a song that tells them it is okay to be human, and that you are not alone in not knowing what that exactly means”
"an exemplification in the beauty of contemplation"
“Brimming with soul and steeped with lush, mellow melodies, Ocean of Birds captures a moment in time and releases it in one lovely breath. “
— That Mag
“Music that creates a sense of vastness within its quiet.”